He once described himself as “a mighty hunter of wild fowl, opera librettos and attractive women.” The latter, on a few occasions, getting the composer into trouble. Although he belonged to no musical clique and was generally indifferent to the musical trends of polytonality, neoclassicism, futurism, impressionism, and dodecaphony, he admired the music of Debussy’s Pellets et Melisande and Schoenberg’s Pierrot Lunaire. Puccini was neither a conservative nor a revolutionary. Giacomo Puccini, heir apparent to Giuseppe Verdi, was, by most accounts, not interested in politics and the world around him as Verdi was.
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